Murals honoring Macario Sakay, Lean Alejandro, and other heroes on permanent display at the Linangan GalleryART AND THE STUTTER OF HISTORY
Linangan Gallery of the Constantino Foundation
38 Panay Avenue, Quezon City
REDEFINING “ REVOLUTIONARY”A two-storey mural inside the Polytechnic University of the Philippines
challenges definitions of heroism
Constantino Foundation2026-07-03T13:05:22+08:00
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Limited‑Edition Prints and New Works at the Yuchengco Museum

ART! PRINTS! Yes! An important part of the Pasts Revisited exhibit of the Constantino Foundation is new works the public can consider acquiring. They’re made by young artists who used the concept advanced by Renato Constantino and Letizia Roxas Constantino – that of a usable history – to create works urge us to reflect on lessons we can draw from the past to help shape our present as we pursue a better future for our nation – together.

See the captions for the artists’ words about their work.
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Pasts Revisited

Renato Constantino

The historian Renato Constantino passed away 26 years ago on 15 September, the very birthday of his son, RC, who designed the iconic cover of The Philippines: A Past Revisited. The book continues to be a mirror, a hammer, and a torch, as an academic recently noted. Indeed, the concept championed by Constantino – a usable past – is most useful today as we witness open thievery on display alongside the dominance of greedy dynasties treating the country’s treasury as their private piggy bank.
Where did all this begin? In many places, for sure, but there’s also one occasion that should always pop out. On 13 September 1907 the American forces occupying the Philippines hanged the last great resistance leader, the Filipino revolutionary Macario Sakay. He was a Katipunan original who fought Spanish colonialists alongside Andres Bonifacio. Sakay carried on the fight against the American invaders until he was captured and imprisoned, a victim of American duplicity.
Less than a month after Sakay was hanged, United States officials gave the Philippines its first taste of “American democracy” when it inaugurated in October 1907 the “Philippine Assembly,” where the names of many political families prominent today can be recognized or traced.
Our first taste of U.S.-style elections came with curious rules: only men could nominate or vote. Only Filipinos who had held public office under Spain or the U.S. could nominate or vote; in other words, only Filipinos who had served foreign masters. One rule stood out: those who wished to nominate or vote needed to show evidence of properties they held. Without proof of wealth, they would not be eligible to join the country’s first taste of American democracy. The result: only 1.41% of the population participated in our so-called first democratic exercise.
If only Filipino male elites could nominate or vote, it is not surprising only elites were elected. Elite rule has an origin story. Think of this each time you watch hearings on corruption and maldevelopment in the House of Representatives, which always displays the seal that bears the year “1907.” It’s the year rich families began to cement their spot in our country’s economic and political governance, mere weeks after the last real Filipino resistance leader, Gen. Macario Sakay, was hanged. When you think of “flood control projects” today, think about the events of September 1907. Better yet, read A Past Revisited.
A festering problem that has an origin will also have an ending. Lahat ng kwentong masama, lalo na ang mga kwento ng kawatan, may wakasan. Kung kikilos ang mamamayan. Kung kikilos ka. #aPastRevisited #theContinuingPast #EndEliteRule
September 15, 2025|
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Keepers of Memory

by Red Constantino “[H]ow do we exist, save on the lips of our friends?” wrote Virginia Woolf to Molly MacCarthy on 11 June 1939. The day before, Woolf said, “you were absolutely incandescent.” After three days of a pewter sky came sunshine. Zachary See, an intellectual who hides the fact that[READ]

“Letizia Roxas Constantino, historian” by Ambeth Ocampo

Historian Ambeth R. Ocampo appreciated the exhibit when he dropped by the other week: "A recording of her playing the piano accompanied me as I walked through the exhibition. I felt like a child in a candy store, not knowing where to start or where to look." If you fill up[READ]

Letizia: A Life in Letters – Extended Viewing Opportunity

Thank you for your interest in the exhibit Letizia: A Life in Letters! Unfortunately, the period of free public access ended last 30 May. In response to persistent requests, however, visitors to the exhibit can still be accommodated, without charge, depending on the availability of foundation officers. If you're interested in visiting,[READ]

MARAMING SALAMAT PO!

As announced in our poster, free public access to the exhibit ended today, May 30. By popular request, however, we will not dismantle the exhibit yet, but henceforth, visits will only be by appointment, based on the availability of a resource person. Thanks again to everyone who dropped by. You were[READ]

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